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Dance Star Matthew Ball on Grueling Parts and Online Scrutiny: 'I Don't Feel Protective About My Body'

Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly upright, his arms defined beneath a plain tee. During performances, ballet dancers can appear as powerful gods, yet often offstage they are small. Not so Ball, whose height is part of his popularity for heroic characters and partnering. With fine features and intense eyes, there's a hint of a brooding actor about him.

An Apparent Rise to the Top

Now 31, Ball is experiencing the crest of a career that has advanced smoothly. Raised in Liverpool, he faced minimal teasing for his early passion in ballet. Joining the esteemed training institution at 11, he graduated straight into the troupe and was promoted each year, attaining the top rank of lead dancer in 2018. He has relished taking on meaty dramatic roles, particularly the emotional angst found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring role is in a talk, in an "Evening With" series designed to offer behind-the-scenes insights into a performer's craft. He will walk the audience through a role, showing his mental process while performance. Yet in lighter works, the challenge is significant. "A classic ballet is one of the toughest technically," he notes.

The Mental Game and Post-Performance Feelings

How does he feel after a performance, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get immersed in the role, frequently I do feel self-conscious later. Following Mayerling I'm always thinking: God, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Is there? "I am very energetic in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Motivations and Artistic Influences

His determination stemmed from early setbacks. Not excelling in competitions at school made him "driven!" This became fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming endeavor is creating his own choreography. In his view, "organic movement has value." "Breaking the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from books, music, and art.

Close-Up Dance and Personal Dynamic

He additionally favors staging dance in more intimate venues. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They are not typically matched on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Perception

On social media, fans can see clips from his projects and images that showcase a athletic physique. Does he care that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.

Ball describes his younger self as "desperate for success." Did it lived up to his hopes? "I feel very aware of how reality is a separate reality to the aspirations you had as a child," he reflects. He probably has another ten years of dancing left. "I guess in the future, I want to be a bit more kind with myself."

By

Brandi Owens

A tech journalist and gaming enthusiast with over a decade of experience covering digital trends and innovations.

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